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Last event date: Thursday, April 18 2024 7:30PM

ANTONIN DVOŘÁK: The Spectre’s Bride

Pavla Vykopalova - soprano
Richard Samek - tenor
Svatopluk Sem - bass baritone, narrator

Hungarian National Choir (Choirmaster: Csaba Somos)
Hungarian National Philharmonic Orchestra
Conductor: Tomáš Brauner

It is exciting to think that even the great composers have left us works that are still waiting to be discovered. At the age of 43, Dvořák, the composer of the New World Symphony and the Cello Concerto, wrote a Romantic cantata entitled The Spectre’s Bride, a work that has not yet become part of the repertoire in Hungary, presumably because of the difficulties presented by the Czech-language libretto. This performance by the Hungarian National Choir and the Hungarian National Philharmonic Orchestra, which employs Czech soloists and a Czech conductor, will introduce us to the beauty of the composition.

In 1883, Antonín Dvořák (1841–1904) was commissioned to write a large-scale oratorio by the Birmingham Triennial Musical Festival. After initially considering adapting the stories of Saint Wenceslaus or Jan Hus, he eventually settled on Karel Jaromír Erben’s ballad The Spectre’s Bride. The composition work lasted from April to November 1884, and the success of the performance in Birmingham, which took place in August 1885 with the mobilisation of mammoth forces (a 400-strong choir and a 150-member orchestra), exceeded all expectations. The story that forms the basis of this dramatic cantata, which consists of an introduction and 18 sections, dovetails well with the 19th-century imagination as it relates the otherworldly wedding of a bride and her dead groom. A nocturnal setting, a cemetery, graves, the spirits of the dead and an open coffin: the ballad’s motifs include all the essential elements of a Romantic ghost story. Together with Prague-based conductor Tomáš Brauner, the three Czech soloists – Pavla Vykopalova, Richard Samek and Svatopluk Sem – featured in this Czech-language performance by the Hungarian National Choir (choirmaster: Csaba Somos) and the Hungarian National Philharmonic Orchestra guarantee the authenticity of the interpretation in both linguistic and stylistic terms.

Our offer


For the opening concert of the 2025/2026 season, the Hungarian National Philharmonic Orchestra and its Kossuth Prize-winning chief music director György Vashegyi invite the audience first and foremost on a pleasant retrospective by performing Le Roi d’Ys overture from Lalo’s opera, which will cast our minds back to the recent successful premiere of the work in Hungary.

As in previous years, the 2025/2026 Ferencsik season ticket is aimed primarily at lovers of the Viennese classics. Once again it, offers a wealth of enriching experiences. From Joseph Haydn, we will hear the Symphony No. 87 in A major, the Notturno No. 5 in C major, the “Clock” symphony and the Violin Concerto No. 4 in G major.

Named after the founder and former leader of the Hungarian State Choir, the predecessor of the National Choir, the Pászti season ticket unsurprisingly offers a rich bounty of vocal music: early music and contemporary pieces, as well as a cappella works and oratorical masterpieces, all courtesy of composers from both Hungary and elsewhere.

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