Állítólag a vészterhes napokban ez az egy klasszikus zenei lemez volt kéznél a stúdióban. Akárhogy is történt, tény, hogy a Magyar Rádió 1956 őszén újra és újra az Egmont-nyitányt játszotta le, Nagy Imre drámai szavai mellé („csapataink harcban állnak”). Keresve sem találhattak volna az alkalomhoz jobban illő muzsikát. Komor, hősi hang, küzdelem, a győzelem reménye – minden benne van Beethoven zenéjében.
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Thursday, March 05 2020 7:30PM
Thursday, 5 March 2020, 7.30 pm
Ein Heldenleben
BEETHOVEN: Egmont Overture, op. 84
R. STRAUSS: Oboe Concerto in D major
***
R. STRAUSS: Ein Heldenleben, op. 40
Juliana Koch – oboe
Hungarian National Philharmonic Orchestra
Conductor: Michael Sanderling
A French evening in the spirit of refinement, colours, moods – and pathos. The Debussy work, L’Après-midi d’un Faune, heralds the birth of impressionism and the two Saint-Saëns compositions, the Cello Concerto in A minor and the hugely popular Organ Symphony, represent romanticism – the latter of which is heavily influenced by Liszt. It is not just the composers who are French: so are the conductor and the soloist.
As in previous years, the 2025/2026 Ferencsik season ticket is aimed primarily at lovers of the Viennese classics. Once again it, offers a wealth of enriching experiences. From Joseph Haydn, we will hear the Symphony No. 87 in A major, the Notturno No. 5 in C major, the “Clock” symphony and the Violin Concerto No. 4 in G major.
What could be a more beautiful sounding gift one week before Christmas than a three-part oratorio that is unknown in Hungary and recalls a less well documented part of Jesus’s life, the Redeemer’s childhood?
Hungarian premiere oratorio in four scenes, with one intermission, in French
It is an important objective of the Hungarian National Philharmonic’s Opera season ticket to interpret not only popular hits of…
As in previous years, the 2025/2026 Ferencsik season ticket is aimed primarily at lovers of the Viennese classics. Once again…
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