Kocsis season ticket 3
A magyar közönség által is jól ismert világhírű karmester vezényli az 1775 és 1834 közötti hatvan évben keletkezett, de szinte külön világokat képviselő remekműveket.
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Last event date: Thursday, January 24 2019 7:30PM
MOZART: La finta giardiniera – overture, K. 196
BEETHOVEN: Symphony No. 1 in C major, op. 21
BERLIOZ: Harold en Italie, op. 16
Máté Szűcs – viola
Hungarian National Philharmonic
Conductor: Sylvain Cambreling
Worlds of 60 Years
The world-famous conductor, also familiar to Hungarian audiences will conduct masterpieces from the 60-year period between 1775-1834 that nonetheless seem to come from completely different worlds. Sylvain Cambreling has served as musical director of renowned European and Japanese ensembles and operas for several decades and heads the Hamburg Symphony Orchestra as of the 2018-2019 season. Opening the programme is the dashingly lively overture from the comic opera La finta giardiniera, which Mozart wrote for the city of Munich just as he entered adulthood. We will then hear a bold orchestral piece from a young Beethoven still finding his way but with a style all of his own. Finally, Cambreling will conduct a work of one of the most significant French composers of the 19th century, a genuine romantic symphony that connects literature and music with boundless imagination. The piece, a viola concerto in disguise, was composed at the encouragement of Paganini and will be performed by the first principal violist of the Berlin Philharmonic, Máté Szűcs.
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What could be a more beautiful sounding gift one week before Christmas than a three-part oratorio that is unknown in Hungary and recalls a less well documented part of Jesus’s life, the Redeemer’s childhood?
Named after the founder and former leader of the Hungarian State Choir, the predecessor of the National Choir, the Pászti season ticket unsurprisingly offers a rich bounty of vocal music: early music and contemporary pieces, as well as a cappella works and oratorical masterpieces, all courtesy of composers from both Hungary and elsewhere.
Concert-format opera performance in three acts, with one intermission, in Russian
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Concert-format opera performance in four acts, with one intermission, in Italian
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