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Pászti season ticket 2

Pászti season ticket 2

EMBERI HANG - Női sorsok, szerelmek, humor, líra

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Last event date: Sunday, November 11 2018 7:30PM

POULENC: The Human Voice
EMIL PETROVICS: Lysistrata

Zita Váradi – soprano
Ingrid Kertesi – soprano
Klára Kolonits – soprano
István Horváth – tenor

Hungarian National Choir (choir master: Csaba Somos)
Hungarian National Philharmonic
Conductor: Zsolt Hamar


The women make a vow to withhold marital relations from their husbands until they end the war – an exciting conflict ensues, though the final outcome can hardly be in doubt. This one-act comic opera based on Aristophanes's comedy premiered in its reworked format in 1971. It is not a theatrical work in the traditional sense, but rather a concert-style series of linked, but logically-sequential songs. "Lysistrata does not depict the horrors of battle: mockery is just as potent a weapon against war. This basic idea defines the tools at the disposal of the composer. The music of this concert comic opera has an appropriately unresolved, gentle, almost frivolous sound, with a lively rhythm at times reminiscent of jazz, archaic, Gregorian-like melodies and intricate instrumentation," the music historian János Breuer wrote of the work. To perform this effective, entertaining and easily accessible opera created from this music, we could hardly have a more devoted conductor than Zsolt Hamar, who graduated from the Franz Liszt Academy of Music after being taught by the composer himself, Emil Petrovics. The first part of the concert will feature a performance of the Frenchman Poulenc's one-act opera, which premiered in 1959. The work is special not only because it was written for a lone vocalist, but also because of its theme: the 'material' is the final telephone conversation between a man and a woman, with all of the emotional complications and personal tragedy that follow.

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A French evening in the spirit of refinement, colours, moods – and pathos. The Debussy work, L’Après-midi d’un Faune, heralds the birth of impressionism and the two Saint-Saëns compositions, the Cello Concerto in A minor and the hugely popular Organ Symphony, represent romanticism – the latter of which is heavily influenced by Liszt. It is not just the composers who are French: so are the conductor and the soloist.

The guest appearance of the world-famous American maestro Lawrence Foster, who represents the senior age group of the international community of composers, promises to be among the outstanding events of the season. The musician with Romanian parents has conducted the Hungarian National Philharmonic on several occasions and each visit has attracted an enthusiastic response.

What could be a more beautiful sounding gift one week before Christmas than a three-part oratorio that is unknown in Hungary and recalls a less well documented part of Jesus’s life, the Redeemer’s childhood?

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